
Van Museum
Our first visit on this day is to the small Van Museum. We were astonished to see sculptures the likes of which we had never seen before. The Hakkari Stelae, thirteen flat sculptures mounted on a wall, were discovered by a farmer as recently as 1998 in the small town of Hakkari, in the farthest southeastern corner of Turkey. Estimated to be from the 15th to the 11th centuries B.C.E., they are thought to be from the kingdom of Hubushkia, another kingdom of which I had never heard, set among extremely rugged terrain. The reason we had never seen anything like this in Turkey is that no one else had either. They are unlike anything previously found in Anatolia up to this time. They may have been contemporary with the Urartians and the Assyians, about which I am reading these days, but show strong influences of art from the Eurasian steppe, farther to the East.
In the courtyard of this nice museum was another stele, about eight feet tall, representing one of the three principal Urartian gods, Teisheba, the god of war, standing atop a bull. This large piece had been accidentally blown out of a construction site and now is displayed in pieces, but it is still quite mpressive.
Urartu Carpets & Kilims
On our way to the next major site, we stopped for a brief visit at a large carpet shop and educational center.
But first, we visited a small cage in the yard of the carpet shop where we saw our first Van cat. These cats are bred only in this area and are distinguished by their silvery white coat and their mismatched eyes; one is green while the other is blue. I was told they are albinos but I don’t understand the biology of an entire breed of albinos. At any rate, they are quite unusual.
The carpet center itself was founded for the purpose of educating local and outlying village women in the finest techniques of traditional Turkish carpet creation. Sponsored by the European Union and the Turkish government, the organization assists these women in learning the art of making these spectacular carpets and kilims, while also paying them decent wages, which are deposited directly into bank accounts that only the women have access to. In this way, when the weavers later return to their villages to run their own workshop and/or train other women, their husbands or other male relatives cannot lay claim to the women’s hard-earned money.
Another goal of the organization, besides assisting in women’s economic independence, is to preserve the legacy of Turkish textiles, which are under threat from cheap Iranian and Chinese copies.
After serving us tea – wine was also offered, but it was still morning so we passed – we all sat on divans surrounding a large open space. The walls were covered with gorgeous carpets. The salesmen then proceeded to perform the standard ritual of flipping carpets onto the floor for our perusal, after giving them a practiced spin in midair. Larry and I decided to buy a small kilim, made in the Kurdish "sumak" style, with embroidered silk forming a pretty pattern on one side, but leaving crude threads hanging on the other side. The crude sides would have been hung on the outside of tents and were intended to keep critters outside nomadic homes. I doubt, though, that nomads would have used silk for their exterior tent flaps.
After making our decision, we discovered that neither of us remembered to bring our credit card with us. As we were nearing the end of our Eastern Anatlian tour, we were getting low on money and couldn’t afford to spend all our remaining cash on the kilim unless we planned on eating nothing on the long trip back. Since this shop does no bargaining – unlike most other carpet shops – we could not offer less. Nonetheless, the salesmen arranged for us to pay a small deposit, take the rug with us, then wire the remainder of what we owed to them when we returned to Ankara. We were shocked that they were so trusting. Perhaps they were aware that our tour company was a good one and they knew we could be trusted. At any rate, we have our pretty rug (sorry, Kadir Bey!), and it was duly paid for within a day of our return.
Akdamar Island & Tenth Century Cathedral Church of the Holy Cross
On our way to the beach of Lake Van, where we will be boarding our boat to the island, we stopped to place our order for lunch after the tour. We wondered why we had to make our lunch selection hours before eating, but, given that most entrees were fish, I suppose they needed to know how many to catch.
As we boarded the boat, who was coming down from the upper deck as they returned from the island? None other than Jane and David, waxing poetic about the island’s spectacular beauty! Alas, this is the last we will see of our Australian counterparts on this trip, and likely forever. Sigh.
Akdamar Island and its Church of the Holy Cross served as the center of Armenian Catholicism from the 12th to the late 19th century. This impressive structure, with gorgeous exterior reliefs carved by master masons, was restored by the Turkish government just a few years ago and reopened to the public as recently as 2007. We were fortunate to see it in its current excellent state. I just read that next month (September 2010), an Armenian mass will be held there for the first time in many decades. Armenians from Turkey and also from the motherland (Armenia) will be travelling by the thousands to attend the ceremony, although the latter will have to enter Turkey through the country of Georgia.
The reliefs on the exterior of this church are stunning. They represent a variety of biblical stories, the life of Jesus, and some representations of life at the time of their carving. There are warriors, clergymen, and saints, as well as an elaborately carved and decorated continuous vine encircling the entire structure. The interior frescoes, depicting the saints, apostles, and Christ, are not in as good condition as the outside reliefs, but, given their age, they could have been worse.
The church is all that is left of a once thriving monastery, castle, and larger Armenian community.
Returning from the island, we had lunch in a pavilion on the beach of Lake Van, along with hundreds of other visitors and tourists. No wonder we had to order in advance. This lunch was served like a military maneuver—very efficient! And also very good.
Old Ahlat City and Seljuk Graveyard
Another new sight for us is the Seljuk Graveyard in the old city of Ahlat. The standard gravestones are unusual in shape; they are tall flat stone, with a bend near the top, reminding me somewhat of a hooded figure. I doubt I would like to be here at night. There seem to be thousands of graves here, so old that most are askew and leaning every which way.
One large tomb complex is the final resting place of a king who chose to be buried with his horse. The multi-chambered structure (one for the king, one for the horse, and a few others attached), were covered with earth to form a small tumulus in the midst of the graveyard. I believe the king died before the horse; the poor animal, though, must have been sacrificed at the time of the king’s demise.
The large number of tombstones, dating from the 11th – 12th century Ahlatshah dynasty, are tentatively listed as a UNESCO World Heritage Site.
Refa Usta Cane Shop
Our last stop for the day was at this master carvers cane studio and shop. "Refa" is the carver’s name; "usta" means "master craftsman." We watched in amazement as wood carvers worked the finest details, including intricate lathing and inlay, into some very beautiful canes. The show room was full of polished finished canes for sale at a very reasonable price. Not knowing how I would carry a cane back on a plane, I did not purchase one, to my regret. I understand that Bill Clinton did when he was here on a presidential visit a few years ago. He had good taste, at least in canes.